BEST PRODUCTION

The Anger In Ernest And Ernestine (Vision Theatre)
Greek (Repercussion Theatre)
Merz (New Theatre of Ottawa)
A Night In November (SevenThirty Productions)
Top Girls (Third Wall Theatre)

BEST DIRECTOR

Linda Balduzzi ( The Anger In Ernest and Ernestine, Vision Theatre)
Janet Irwin ( Medea, Deluxe Hot Sauce)
John P. Kelly ( A Night In November, SevenThirty Productions)
Charles McFarland ( A Number, Great Canadian Theatre Company)
Kevin Orr ( Greek, Repercussion Theatre)
Natalie Joy Quesnel ( Betrayal, Third Wall Theatre)

BEST PERFORMANCE -- FEMALE

Sarah Finn ( Medea, Deluxe Hot Sauce)
Annie Lefebvre ( Medea, Deluxe Hot Sauce)
Chantal Plante ( The Anger In Ernest and Ernestine, Vision Theatre)
Alix Sideris ( Betrayal, Third Wall Theatre)
Kristina Watt ( Top Girls, Third Wall Theatre)

BEST PERFORMANCE -- MALE

Pierre Brault ( A Night In November, SevenThirty Productions)
Peter Froehlich ( Merz, New Theatre of Ottawa)
Richard Gelinas ( Betrayal, Third Wall Theatre)
Kris Joseph ( The Good Father, SevenThirty Productions)
Stewart Matthews ( Greek, Repercussion Theatre)

BEST DESIGN

Darryl Bennett (Set Design, Betrayal, Third Wall Theatre)
Camellia Koo (Set & Costume Design, Helen's Necklace, Great Canadian Theatre Company)
Rebecca Miller (Lighting Design, Top Girls, Third Wall Theatre)
Brian Smith (Set and Costume Design, A Number, Great Canadian Theatre Company)
Graham Price & Roy Hansen-Robitschek (Costume, Lighting, and Set Design, Medea, Deluxe Hot Sauce)

BEST NEW CREATION

The Churchill Protocol (Gruppo Rubato; orginal text by Patrick Gauthier and Kris Joseph, directed by Natalie Joy Quesnel)
Medea (Deluxe Hot Sauce; existing text set to original music, directed by Jan Irwin)
Secret Shakespeare Experiment #1 (Company of Fools; original concept and text by Scott Florence, director)
Tempest In A Teapot (Company of Fools; original concept and text by Scott Florence, director, with additonal material by A Connors and Margo MacDonald, and original music by Emmanuelle Zeesman)
What Goes Around (mutatis mutandis; existing text newly adapted by David Whiteley, directed by David Hersh)

EMERGING ARTIST AWARD